{"id":211,"date":"2015-08-01T16:26:26","date_gmt":"2015-08-01T15:26:26","guid":{"rendered":"http:\/\/fondation-salabert.org\/wp\/?p=211"},"modified":"2024-09-19T17:54:34","modified_gmt":"2024-09-19T16:54:34","slug":"alexandre-pierre-francois-boely","status":"publish","type":"post","link":"https:\/\/fondation-salabert.org\/wp\/alexandre-pierre-francois-boely\/","title":{"rendered":"ALEXANDRE-PIERRE-FRAN\u00c7OIS BO\u00cbLY"},"content":{"rendered":"<p class=\"spip\"><strong class=\"spip\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-212 alignright\" src=\"http:\/\/fondation-salabert.org\/wp\/wp-content\/uploads\/Boely.jpg\" alt=\"Boely\" width=\"170\" height=\"109\" srcset=\"https:\/\/fondation-salabert.org\/wp\/wp-content\/uploads\/Boely.jpg 170w, https:\/\/fondation-salabert.org\/wp\/wp-content\/uploads\/Boely-100x64.jpg 100w, https:\/\/fondation-salabert.org\/wp\/wp-content\/uploads\/Boely-150x96.jpg 150w\" sizes=\"auto, (max-width: 170px) 100vw, 170px\" \/>\u00c9ditions Publimuses<\/strong><br \/>\n<span class=\"textep\">\u0152uvre compl\u00e8te pour orgue<br \/>\nsous la direction de Nanon Bertrand<br \/>\nseuls les volumes ci-dessous ont \u00e9t\u00e9 soutenus par Musica Gallica<\/span><\/p>\n<p class=\"spip\"><i class=\"spip\">Les Pi\u00e8ces de No\u00ebl<\/i><br \/>\n<span class=\"textep\">\u00e9d. Nanon Bertrand-Tourneur<br \/>\net Henri de Rohan-Csermak<br \/>\navant-propos de Brigitte Fran\u00e7ois-Sappey<br \/>\npartition, 2001, 147 p.<\/span><\/p>\n<p class=\"spip\"><i class=\"spip\">Opus 10 et 12<\/i> <span class=\"spip_document_67 spip_documents spip_documents_right\"><img loading=\"lazy\" decoding=\"async\" class=\" alignright\" src=\"http:\/\/www.fondation-salabert.org\/spip\/IMG\/jpg\/Boely2.jpg\" alt=\"(JPG)\" width=\"242\" height=\"172\" \/><\/span><br \/>\n<span class=\"textep\">\u00e9d. Nanon Bertrand<br \/>\navant-propos de Brigitte Fran\u00e7ois-Sappey<br \/>\npartition, 2008, 155 p.<\/span><\/p>\n<p class=\"spip\"><i class=\"spip\">Les auto-transcriptions<\/i><br \/>\n<span class=\"textep\">\u00e9d. Nanon Bertrand<br \/>\npartition, 2012, 200 p.<\/span><\/p>\n<p><i class=\"spip\">Les messes &#8211; les versets de messes &#8211; Entr\u00e9es et sorties<\/i><br \/>\n<span class=\"textep\">\u00e9d. Nanon Bertrand<br \/>\npartition, 2018, 213 p.<\/span><\/p>\n<p class=\"spip\"><strong class=\"spip\">\u00c9ditions Durand<\/strong><\/p>\n<p class=\"spip\"><i class=\"spip\">Trios op. 5<\/i><br \/>\n<span class=\"textep\">\u00e9d. Brigitte Fran\u00e7ois-Sappey<br \/>\npartition, 1994, XVI-140 p.<br \/>\nmat\u00e9riel en vente<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c9ditions Publimuses \u0152uvre compl\u00e8te pour orgue sous la direction de Nanon Bertrand seuls les volumes ci-dessous ont \u00e9t\u00e9 soutenus par Musica Gallica Les Pi\u00e8ces de No\u00ebl \u00e9d. Nanon Bertrand-Tourneur et Henri de Rohan-Csermak avant-propos de Brigitte Fran\u00e7ois-Sappey partition, 2001, 147 p. Opus 10 et 12 \u00e9d. Nanon Bertrand avant-propos de Brigitte Fran\u00e7ois-Sappey partition, 2008, 155 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[7],"tags":[],"class_list":["post-211","post","type-post","status-publish","format-standard","hentry","category-romantique-xixe-siecle"],"acf":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"cyber","author_link":"https:\/\/fondation-salabert.org\/wp\/author\/cyber\/"},"uagb_comment_info":0,"uagb_excerpt":"\u00c9ditions Publimuses \u0152uvre compl\u00e8te pour orgue sous la direction de Nanon Bertrand seuls les volumes ci-dessous ont \u00e9t\u00e9 soutenus par Musica Gallica Les Pi\u00e8ces de No\u00ebl \u00e9d. Nanon Bertrand-Tourneur et Henri de Rohan-Csermak avant-propos de Brigitte Fran\u00e7ois-Sappey partition, 2001, 147 p. Opus 10 et 12 \u00e9d. Nanon Bertrand avant-propos de Brigitte Fran\u00e7ois-Sappey partition, 2008, 155\u2026","_links":{"self":[{"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/posts\/211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/comments?post=211"}],"version-history":[{"count":4,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/posts\/211\/revisions"}],"predecessor-version":[{"id":796,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/posts\/211\/revisions\/796"}],"wp:attachment":[{"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/media?parent=211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/categories?post=211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/tags?post=211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}