{"id":228,"date":"2015-08-01T16:31:22","date_gmt":"2015-08-01T15:31:22","guid":{"rendered":"http:\/\/fondation-salabert.org\/wp\/?p=228"},"modified":"2026-02-24T15:47:13","modified_gmt":"2026-02-24T14:47:13","slug":"claude-debussy","status":"publish","type":"post","link":"https:\/\/fondation-salabert.org\/wp\/claude-debussy\/","title":{"rendered":"CLAUDE DEBUSSY"},"content":{"rendered":"

\u00c9ditions Durand<\/strong> \"(JPG)\"<\/span><\/p>\n

\u00c9dition monumentale de Debussy<\/i>
\nsous la direction de Fran\u00e7ois Lesure et Denis Herlin
\nFormats\u00a0: 340 x 260 mm\u00a0; 310 x 230 mm
\nreliure en toile bleue, jaquette
\npapier ivoire 110 gr.<\/span><\/p>\n

Comit\u00e9 de r\u00e9daction\u00a0: Pierre Boulez, \"(JPG)\"<\/span>
\nMyriam Chim\u00e8nes, Marius Flothuis,
\nClaude Helffer, Roy Howat, Marie Rolf
\nResponsable \u00e9ditorial\u00a0: Edmond Lema\u00eetre<\/span><\/p>\n

S\u00e9rie I. \u0152uvres pour piano
\nI.1. \u0152uvres de jeunesse<\/i>
\nDanse boh\u00e9mienne, Deux arabesques,
\nMazurka, R\u00eaverie, Tarentelle styrienne,
\nBallade slave, Valse romantique,
\nSuite bergamasque, Nocturne<\/i>
\n\u00e9d. Roy Howat
\npartition, 2000, XXVII-153 p.<\/span><\/p>\n

I.2. Images<\/i> (1894), Pour le piano, Children\u2019s corner<\/i>
\n\u00e9d. Roy Howat
\npartition, 1998, XXIV-119 p.<\/span><\/p>\n

I.3. Estampes, D\u2019un cahier d\u2019esquisses, Masques,
\nL\u2019Isle joyeuse, Images<\/i> (1re et 2e s\u00e9ries)
\n\u00e9d. Roy Howat
\npartition, 1991, XXIV-181 p.<\/span><\/p>\n

I.4. Morceau de concours, The little Nigar, \"(JPG)\"<\/span>
\nHommage \u00e0 Haydn, La plus que lente,
\nSix \u00c9pigraphes antiques, Berceuse h\u00e9ro\u00efque,
\nPour l\u2019\u0152uvre \u00ab\u00a0du V\u00eatement du bless\u00e9\u00a0\u00bb, \u00c9l\u00e9gie,
\nLes Soirs illumin\u00e9s par l\u2019ardeur du charbon, Interm\u00e8de<\/i>
\n\u00e9d. Christophe Grabowski
\npartition, 2004, XVIII-107 p.<\/span><\/p>\n

I.5. Pr\u00e9ludes<\/i> (1er et 2e livres)
\n\u00e9d. Roy Howat et Claude Helffer
\npartition, 1985, XXII-182 p.<\/span><\/p>\n

I.6. \u00c9tudes<\/i> (livres I et II)
\n\u00e9d. Claude Helffer
\npartition, 1991, XXX-129 p.<\/span><\/p>\n

I.7. \u0152uvres pour piano \u00e0 quatre mains<\/i>
\nSymphonie, Andante cantabile,
\nDiane Ouverture, Triomphe de Bacchus,
\nIntermezzo, L\u2019Enfant prodigue,
\nDivertissement, Printemps<\/i>
\n\u00e9d. No\u00ebl Lee
\npartition, 2002, XXIII-279 p.<\/span><\/p>\n

I.8. \u0152uvres pour deux pianos<\/i>
\nPr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune,
\nLindaraja, En blanc et noir<\/i>
\n\u00e9d. No\u00ebl Lee
\npartition, 1986, XXIV-101 p.<\/span><\/p>\n

I.9. \u0152uvres pour piano \u00e0 quatre mains et pour deux pianos<\/i>
\nPremi\u00e8re Suite d\u2019orchestre, Petite Suite,
\nMarche \u00e9cossaise, La Mer,
\nSix \u00c9pigraphes antiques, Deux Danses<\/i>
\n\u00e9d. No\u00ebl Lee et Edmond Lema\u00eetre
\npartition, 2013, XXIX-352 p.<\/span><\/p>\n

S\u00e9rie II. M\u00e9lodies
\nII.2 M\u00e9lodies (1882-1887)
\n<\/em>\u00e9d. Marie Rolf
\npartition, 2016, XXIV-254 p.<\/p>\n

II.4 M\u00e9lodies (1892-1915)
\n<\/em>\u00e9d. Denis Herlin
\npartition, 2024, XLIV-393 p.<\/p>\n

S\u00e9rie III. Musique de chambre
\nIII.1\u00a0Trio pour piano, violon et violoncelle
\nPi\u00e8ces pour violoncelle et piano dite Nocturne et Scherzo
\nIntermezzo pour violoncelle et piano
\nQuatuor
\n<\/em>\u00e9d. Roy Howat et Peter Bloom
\npartition, 2015, XLVII-192 p.
\n
\n<\/em>S\u00e9rie V. \u0152uvres pour orchestre<\/p>\n

V.2. Fantaisie pour piano et orchestre<\/i> (1re version)
\n\u00e9d. Christophe Grabowski, avant-propos de Denis Herlin
\npartition, 2025, XIX-301 p.<\/span><\/p>\n

V.2b. Fantaisie pour piano et orchestre<\/i> (2e version)
\n\u00e9d. Jean-Pierre Marty avec la coll. de Denis Herlin et Edmond Lema\u00eetre
\npartition, 2007, XVII-223 p.<\/span><\/p>\n

V.3. Nocturnes<\/i>
\n\u00e9d. Denis Herlin
\npartition d\u2019orchestre, 1999, XXVII-239 p.
\nmat\u00e9riel d\u2019orchestre en location
\npartition de poche, 2000, 136 p.<\/span><\/p>\n

V.4. Danses pour harpe chromatique, Premi\u00e8re rhapsodie pour orchestre, Esquisse d’une \u00ab\u00a0Rhapsodie mauresque\u00a0\u00bb<\/em>
\n\u00e9d. Eiko Kasaba
\npartition d\u2019orchestre, 2022, XIX-176 p.
\nmat\u00e9riel d\u2019orchestre en location<\/span><\/p>\n

V.5. La Mer<\/i>
\n\u00e9d. Marie Rolf
\npartition d\u2019orchestre, 1997, XX-238 p.
\nmat\u00e9riel d\u2019orchestre en location<\/span><\/p>\n

V.8. Jeux<\/i>
\n\u00e9d. Pierre Boulez et Myriam Chim\u00e8nes
\npartition d\u2019orchestre, 1988, XXI-205 p.
\nmat\u00e9riel d\u2019orchestre en location<\/span><\/p>\n

V.10. Fragments Symphoniques du Martyre de saint S\u00e9bastien<\/i>
\n\u00e9d. Eiko Kasaba
\npartition d\u2019orchestre, 2012, XIX-109 p.<\/span><\/p>\n

V.11. Orchestrations (1896-1914)<\/em>
\n\u00e9d. Robert Orledge
\npartition d\u2019orchestre, 2018, XIX-209 p.<\/span><\/p>\n

V.12. Orchestrations par\u00a0<\/em>Henri Busser et Andr\u00e9 Caplet<\/i>
\n\u00e9d. Robert Orledge
\npartition d\u2019orchestre, 2020, XIX-337 p.<\/span><\/p>\n

S\u00e9rie VI. \u0152uvres lyriques
\nVI.1. Rodrigue et Chim\u00e8ne<\/i>
\n\u00e9d. Richard Langham Smith
\npartition, 2003, LXXI-331 p.<\/span><\/p>\n

VI.2 ter. Pell\u00e9as et M\u00e9lisande<\/i>
\n\u00e9d. David Grayson
\nr\u00e9duction clavier-chant, 2010, XXIII-387 p.<\/span><\/p>\n

VI.3. Le Martyre de saint S\u00e9bastien<\/i>
\n\u00e9d. Pierre Boulez et Eiko Kasaba
\npartition, 2009, XXIII-376 p.<\/span><\/p>\n

VI.4. Le Diable dans le beffroi, Le Roi Lear
\nLa Chute de la Maison Usher<\/i>
\n\u00e9d. Robert Orledge
\npartition, 2006, XXV-162 p.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9ditions Durand \u00c9dition monumentale de Debussy sous la direction de Fran\u00e7ois Lesure et Denis Herlin Formats\u00a0: 340 x 260 mm\u00a0; 310 x 230 mm reliure en toile bleue, jaquette papier ivoire 110 gr. Comit\u00e9 de r\u00e9daction\u00a0: Pierre Boulez, Myriam Chim\u00e8nes, Marius Flothuis, Claude Helffer, Roy Howat, Marie Rolf Responsable \u00e9ditorial\u00a0: Edmond Lema\u00eetre S\u00e9rie I. \u0152uvres […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[],"class_list":["post-228","post","type-post","status-publish","format-standard","hentry","category-xxe"],"acf":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"cyber","author_link":"https:\/\/fondation-salabert.org\/wp\/author\/cyber\/"},"uagb_comment_info":0,"uagb_excerpt":"\u00c9ditions Durand \u00c9dition monumentale de Debussy sous la direction de Fran\u00e7ois Lesure et Denis Herlin Formats\u00a0: 340 x 260 mm\u00a0; 310 x 230 mm reliure en toile bleue, jaquette papier ivoire 110 gr. Comit\u00e9 de r\u00e9daction\u00a0: Pierre Boulez, Myriam Chim\u00e8nes, Marius Flothuis, Claude Helffer, Roy Howat, Marie Rolf Responsable \u00e9ditorial\u00a0: Edmond Lema\u00eetre S\u00e9rie I. \u0152uvres\u2026","_links":{"self":[{"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/posts\/228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/comments?post=228"}],"version-history":[{"count":10,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/posts\/228\/revisions"}],"predecessor-version":[{"id":1316,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/posts\/228\/revisions\/1316"}],"wp:attachment":[{"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/media?parent=228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/categories?post=228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fondation-salabert.org\/wp\/wp-json\/wp\/v2\/tags?post=228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}